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And he suggests a different—and crazier—solution to her dilemma . As everyone knows (or will soon come to realize), traditional relations between humans are a thing of the past. And if robots are our future, then why do we need other people at all?Now a USA TODAY BESTSELLERThere are three things you need to know about Marie Harris: 1) She’s fed up with online dating, 2) She’s so fed up, she’s willing to forego the annoyance and consider more creative alternatives, and 3) She knows how to knit. Why does she need the hassle of a romantic partner when she can meet all her needs with paid services?

Because it didn’t draw on any existing movie genre, “Twilight” felt fresh, even if its hybrid nature made marketers nervous. When Stewart and Pattinson, whose chemistry was apparent both on-screen and off, hit Hall H at Comic-Con that summer, romance-starved fans went wild.

Think “Sweet Home Alabama” meets the Bullock/Bill Paxton-Pullman chestnut “While You Were Sleeping.” We soon find out how vulnerable the tough boss really is (she lost her family years ago) while she falls in love with her assistant — and vice versa — and his family.

Betty White as Grammy is worth her weight in gold as she fishes for Bullock’s breasts inside a blowsy hand-me-down wedding dress.

She makes her movies her way (with a nod to Hollywood’s classic screwball comedies), and has final cut.

Over her six romantic comedies, you can track the professional progress of working women: Diane Keaton is a wide-shouldered over-achiever in “Baby Boom” (1987) who inherits a toddler who humanizes her; three decades later in “The Intern,” Anne Hathaway is a workaholic who bonds with senior Robert De Niro and rediscovers her heart.